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About Us

 

"When Richard writes cocktail music, it's a Molotov!!"
Gregg Smith,
Gregg Smith Singers

Contemporary art songs don’t seem to be very popular with music publishers today, unless the composer is quite well known. To quote from a publisher's rejection letter "We are not a mausoleum for great music! We are in the market place!"

For a decade, Kim Rich and Dick Thompson have been completing several songs each year. The songs have been sung by a wide variety of performers, and have been quite popular with both singer and audience. They see Art Song Innovations as their opportunity to hopefully reach a larger audience. They feel that their collections are a valuable addition to the contemporary song repertoire, and deserve to be heard. The songs that they write are entirely original and different than the average run of contemporary art song. They defy easy categories, being neither classical nor jazz nor cabaret, but having elements of all three.

Dick Thompson Speaks

“I was born too long ago in NYC. Seen too many wars and played a role in two of them. Dragged too many keyboards to too many gigs at not enough society parties and too many strip clubs. Taught music in school for too many years, but helped many a Johnny One Note find his voice. Written too many choral arrangements of other composers music: maybe 2000. Have about 160 in print, 500 in a file cabinet and the rest in the wastebasket. Near a decade ago, I finally said to myself,” You call yourself a composer, but you never write anything!”
I awakened!! Cleared my schedule! In 1994, the Gregg Smith Singers premiered my first piece, Suite Sustenance. Have 16 new pieces in print with publishers like E.C. Schirmer and Lorenz. When I met Kim Rich, a wonderful poet, I had found a compatible collaborator. We have completed nearly 60 choral pieces and art songs.”

"Dick, I just had to tell you how much we love your songs. I wish you could have a video of the looks on our faces after we finish working on one... We just shake our heads and grin."
Fay Putnam, Mezzo Soprano

 

The Kim Rich Story

It is a Truth universally acknowledged... “that most people would rather undergo root canal work than listen to poetry...” unless, of course, the poetry has been set to wonderful music. Kim Rich (a poet) has had the great good fortune to have her poetry set to music by composer Dick Thompson. People (both performers and audience) actually seem to enjoy the combination, and it has been duly noted that dental practitioners in the Tri-State Area have performed 37.49% fewer voluntary root canals (statistically speaking) in the years following their collaboration.

Despite living in separate states (New Jersey, New York, and—on occasion—Reality), the collaboration between Dick Thompson and Kim Rich has resulted in songs and choral pieces that cover a wide range of subjects. Songs of love and loss. Songs of heroes and heroines. Mezzo blues and other hues. And then there’s the song about the Werewolf Waitress...

Where, you may ask, does Ms. Rich get her ideas? Just in case you did, the answer is: (a) out of the blue, (b) out of thin air, (c) out of her hat, and (d) from a lifetime of wandering, wool­gathering, and unregenerate daydreaming. A graduate of Westminster Choir College and a founding member of the Florilegium Chamber Choir in Manhattan, Kim Rich has spent far too many (and yet never enough) years celebrating the magical combination of words and music, of sound and sense, of alliteration and onomatopoeia... (Oops. Poetry again — Quick, Dick! Let’s set it to music!)

"I just had to express my love for your songs.... They would make a wonderful addition to the art song repetoire, not to mention the cabaret literature."

...and two years later:

"These songs wear so well! They are as wonderful now as when we were doing them."
Daniel Lockert, accompaniist and
vocal coach

Why Do They Write Art Songs?

They believe that the songs that they have written are fresh and different. Dick’s jazz-classical writing seems to blend easily with Kim’s lyrical-theatrical poetry. They hope that performer and audience alike will be inspired by what they write. Listen and see what you think.


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